Oddly, ARC still does not automatically set the speaker distances; you must do that manually post measurement. As a system, it is pretty intuitive to use and, as of a recent update, it is able to correct speaker response from 20 Hz to 20 kHz if you choose. The attacking bass performance on the track “Mars” was palpable and precise thanks to the Triton Reference and Anthem Room Correction on the STR Preamp. As revealing as the Persona 7Fs are, I was curious to see if they would pick up any residual noise in the preamp. I connected the subwoofer outputs from the STR Preamplifier to the built-in subwoofers in the Triton Reference speakers. DCS has an uber-expensive DAC-pre unit that is likely beyond the price range of anyone looking at a $4,000 preamp. There were times during my preliminary set up that I easily thought that the bass was where I wanted it to be, but a couple of days later it felt like it was too much, and I dialed it back. Your support is greatly appreciated! Imagine, for example, a set of Paradigm Persona 7F speakers coming from the factory with no passive crossovers, everything about the speakers and their drivers could be profiled at the factory and loaded into the memory of a custom STR preamp that has three sets of balanced outputs corresponding to the Highs, Mids and Lows. Scan-Speak 32W/4878T Revelator 13" Subwoofer’s, VPI Prime Turntable, Ortofon MC There is an abundance of all the components we are familiar with and need, speakers, amps, preamps, DACs, CD/media players and an astonishing number of turntables as of late. The Krell Illusion II preamp comes with a high-end internal DAC, RS-232 control, and comparable sex appeal, as you always expect from a Krell component, but it lacks a phono stage, an LED screen on the faceplate, and most importantly room correction. The Fender bass setting the pace through the track sounded impressively low and tight coming from a piece of vinyl birthed in the same year as I was. For the duration of this review, and in every tested configuration, I relied on Wireworld interconnects and speaker cables--running XLR balanced audio connections between preamplifier and amplifier. Regardless of the speaker system is connected, the STR preamp uses a custom version of Anthem’s ARC room correction system to manage the speaker room interaction. If vinyl were your primary concern, you might need to buy a dedicated analog phono stage. Either way, ARC requires a computer to do the measurement, analysis, and uploading of the profiles to the preamp. Carlo subsequently spent a lot of time in his room…As he grew older, he would spend countless hours in downtown Toronto stereo shops, listening to all manner of gear and picking the brains of the various store owners. A surprising menu feature that I came across relates to the phono input when you elect to have its signal converted to digital. 24-bit/192 kHz 1 kHz THD+N looks almost identical to the preceding test with a result of 0.000639% at 4 VRMS. Anthem STR Pre Amplifier £ 3,645.00 Anthem STR Preamplifier is a new type of audio component that gives you better control and greater refinements including more connectivity and further advanced technology in a one-box simple to use component. Oh yes, you can spend more money, but you'd have to spend a lot more to get that next level of sound. I recently got rid of a nice surround system in favor of higher end 2 channel. I would have to say the price. Honestly, though, you would be hard pressed to find a better quality, more versatile phono stage built into a digital preamplifier/processor. And by adding volume to the STR, I could hear an obvious increase in scale, dynamics, and size of soundstage. I wanted to see what the STR could do with some instrumental music versus my many other reference stereo and AV preamps. A number of the tracks from the films prominently feature tympanis or bass drums being played with abandon. Yes, it is not inexpensive, domestically designed and manufactured products like this almost never are, but it is a quality item and I imagine we will see more components like it arriving soon from other manufacturers. I was close enough to the equipment where I could plug the included extra-long USB cable from my Windows PC to the back of the preamp. 10 kHz 24/192 at 0 dBFS XLR-In XLR-Out, A-D DSP On, 4 VRMS. In terms of speakers, I alternated between a pair of Paradigm Persona 7F loudspeakers run full range, and my BESL (Bamberg Engineering Sound Lab) Series 2 MTM monitors crossed to my two DIY 15-inch sealed subwoofers (each in 4.5 cubic ft enclosures) for a 2.2 channel system. The biggest issue in any music playback chain, outside of the source material that you listen to, is the listening room itself. There is a similar array of unbalanced RCA outputs, numbering three pairs in total. The preamp, on the other hand, has an MSRP that is $1000.00 more than the AVM60, for a 2-channel preamplifier that essentially has the same A-D and DAC section and no HDMI inputs. Analog Direct Mode- 92 dB (MC), 110 dB (MM) A few harmonics show up throughout the spectrum, with the harmonics at 2 and 3 kHz registering again at 94 and 96 dB below 4 VRMS respectively. 20 kHz 24/192 at 0 dBFS XLR-In XLR-Out, A-D DSP On, 4 VRMS. The build quality of this Canadian-made stereo preamp is absolutely first rate and comparable with audiophile components costing many times more than the STR. Digital In, 44.1 kHz: 10 Hz – 20 kHz (± 0 dB, Analog Direct Mode: 0.0016% I started off by using the Paradigm Persona 7F loudspeakers hooked up and playing full range with the STR duo. Priced at $3,999, the Anthem STR stereo preamp isn't cheap by any measure, but considering that it includes Anthem Room Correction, a high-end internal 32 … This desire for knowledge-through-deconstruction continued through to the family’s 8-track tape player, turntable, headphones and speakers. I should also note that the Home Theater Bypass functionality can be used with any brand of home theater receiver or processor. Here are the results for the 19 kHz, 20 kHz combined test frequencies using the SPDIF coax input with 24-bit/96 kHz sampling at 4 VRMS. For the money, a more state of the art A/D D/A solution. While the amp supports 12-Volt trigger operation, there is unfortunately only one 12-Volt trigger on the AVM 60 and that was used to power on one of my theater amps. ConclusionAnthem isn't afraid to throw down with the big-time audiophile or home theater companies, and that's just what they've done here with the Anthem STR stereo preamp at $3,995. Miss Gardot’s voice was rendered with a sweet, almost liquid quality that just drew me into the music, while the band with the background strings unfolded into this broad and deep musical image. For example, two subwoofers can be configured as a stereo pair using ARC in the STR Preamplifier, but they can only be configured as a mono signal on the AVM 60. Far too often, AV manufacturers choose to ignore an internal phono stage from their stereo preamps, be it for greed's sake (so they can sell you another black box) or perhaps for performance's sake. So, what’s the catch? On the AV side of the equation, there are exciting new frontiers in room correction, seemingly constant HDMI updates, improved internal DACs, feature-rich control system drivers for the likes of Control4 and Crestron, and so much more. 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